Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Psychedelic Sufi Trance Rock

Stumbling around the internet I came across the phrase "psychedelic sufi trance rock."  What I found was an article about a singer/guitarist named Haale (Gofori).

"Haale grew up singing in Sufi with her Iranian family while listening to Patti Smith and Jimi Hendrix on the side. She fuses these two styles instinctually, combining meandering guitar riffs with transcendental Sufi lyrics and Persian rhythms, played on instruments such as the sitar and tonbak drum - Janera: Curating Conversations

Being that Patti Smith is my favorite artist, I like middle eastern music, and I have a thing for psychedelic music, I naturally went over to YouTube to see what I could find.  The first few videos I did have a Patti Smith/middle eastern/ psychedelic flavor.  No doubt about it.  I was going to post one of those but after watching a few more I decided this one is my favorite:








This is called "Wild Poppies" by The Mast.  The Mast is Haale (vocals/guitar) and Matt Kilmer (percussion). 

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Initiation




The first rock concert I attended was Todd Rundgren and Utopia back when I was in high school. Todd is a musician, songwriter and producer who has contributed much to rock music but who has had little commercial success. Part of the reason the commercial success eludes him, is because Rundgren tends to do what he wants and much of his music is very experimental. One of his most experimental albums, which is not likely to appeal to most people and is best listened to with headphones, is Initiation.  Released in  1975,  "Initiation" is a conceptual album combining elements of psychedelic rock, soul, avant-garde jazz fusion, and progressive rock. 

Initiation is heavily influenced by the teachings of Alice Bailey and Theosophy. Initiation is a Theosophical concept stating that there are nine levels of spiritual development. This concept was developed by both Alice A. Bailey and C.W. Leadbeater in the early 1920s.  In an interview in the past Rundgren said, "I hadn’t done much dabbling around in the mystical at all, but I was looking at these books and they were explaining some of the phenomena I was experiencing. I started devouring these Eastern philosophies, never buying any of them whole but following the thread of anything that was consonant with what I was experiencing. I got very much into Theosophical writers like C.W. Leadbeater, who applied scientific methods to Hindu philosophy and came up with a new synthesis. These were concepts that found their way into my personal cosmology and into my music. I mean, I never read the actual Treatise On Cosmic Fire because it was just too damn opaque, but I figured it made a good concept to hang the music on."

Theosophy combines elements of Eastern Religion with Christian ideals. Rundgren's Initiation begins with the pop classic "Real Man" which is partially inspired by a biblical verse:  "When I was a child, I spake as a child, I felt as a child, I thought as a child: now that I am become a man, I have put away childish things. 1 Corinthians 13:11 RV"

When I was a child
I thought as a child
I spoke as a child
I didn't know better
But now I'm a man
I look like a man
I'm old as a man
And I should know better

"Real Man" Initiation (1975) - music & lyrics by Todd Rundgren

In Eastern Intrigue we find that Rundgren has been exploring a variety of religions, spiritual philosophies and paths to God. Eastern Intrigue is a satirical piece in which Rundgren plays electric piano, keyboard computer, electric sitar and an assortment of percussion instruments.

I'm on my knees, one question please
Will the real God please stand up?

Jesus and Moses, Mohammed, and Sri Krishna
Steiner, Gurdjief, Blavatsky, and Bhudda
Guru Maharaji, Reverend Sun Myung Moon
"Eastern Intrigue" Initiation (1975) - music & lyrics by Todd Rundgren



Eastern Intrigue is followed by the title track, Initiation, which is a progressive-disco track. Here Rundgren comes to realize that the real God can only be found within.


Silently listen and it shall be revealed
I was born to fly higher,
born to stand where I'm standing now
Basking in the light of the neon fire
As it burns my useless body to the ground
Desire let me go
I would fly so high through the sky, never to die
Love has come, Love has come
Inside outside, it shall be revealed

"Initiation" Initiation (1975) - music & lyrics by Todd Rundgren

Side one comes to a close with Fair Warning which is a philosophical Rundgrenish rap song warning us that we are all responsible for our own actions and making our own way through life. The song features some jazzy saxophone work by Edgar Winter and ends with a few fines from Real Man.
You know, wishing won't make it so
Hoping won't do it, praying won't do it
Religion won't do it, philosophy won't do it
The supreme court won't do it,
the president and the congress won't do it
The UN won't do it, the H-bomb won't do it,
the sun and the moon won't do it
And God won't do it,
and I certainly won't do it
That leaves you, you'll have to do it

........

Love owns us all, Time owns us all, Life owns us all
But the world doesn't own me

"Fair Warning" Initiation (1975) music & lyrics by Todd Rundgren

Side two of Initiation consists of one single song, "A Treatise on Cosmic Fire" which is a 36 minute instrumental. The title of the song is taken from the book of the same name published in 1928 by Alice Bailey. The song consists of three parts: "I. The Internal Fire, or Fire by Friction; II. The Fire of Spirit, or Electric Fire; The Fire of Mind, or Solar Fire." (the second parts of each of these phrases are taken from A Treatise on Cosmic Fire by Alice Bailey.

“Bam, bham, mam, yam, Ram, Lam, thank you mahm.”.

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A Tribute to Bobby Durango


Bobby Durango by C. Anderson

My friend Bobby Durango passed away last night.  I met Bobby way back in the early to mid 1980's before anyone outside of South Florida had heard of The Rock City Angels.  Bobby had one of the best voices in rock n roll and stage presence to boot.  RCA left South Florida and signed with Geffen Records.  They released one classic album, "Young Man's Blues" and then seemed to fade into obscurity. Several years later New Renaissance Records released what is known as "The Glam Album."  This is another "classic" which was recorded prior to the band leaving South Florida and signing with Geffen.  It was actually their "demo" which they talk about in the interview below.

Sometime in the mid to late 90's Andy Panik and I crossed paths on the net.  Andy told me about this new recording by RCA.  At some point I became the band's "manager" (that would be Andy and Bobby as there was not an active band at that point).  We worked on putting together Rock City Angels reunion in Miami and tried to get a record deal for the new music - "Use Once and Destroy."  I created and managed the bands's web page and over time it all kind of fell apart.  A long story not really worth telling.  In any case, Bobby eventually found the money he needed to "sweeten" Use Once & Destroy.  He put a new version of the band together and  released the album!!!!   One of the band's first shows was in Fort Lauderdale, Fl and I went to see them.  Bobby was still the great performer I remembered.  The picture above is from that night after RCA played. 

Bobby's passing makes me sad.  He is a rock n roll legend in my book.  Not knowing what else to say, here is a transcript of an interview I did with Bobby and RCA circa 1980 something.  This article appeared in Gold Coast Live! magazine with RCA on the cover.




Rockin With The Angels

words & photos by Catharine Anderson


The Rock City Angels have become South Florida's very own "underground rock stars." Though there are very few clubs allowing bands such as the Angels to grace their stages, The Rock City Angels have become very well known and very popular inspite of the fact. The band gets press. The band gets girls - lots of girls. The band gets fan mail. And...most important, they get gigs when there are gigs to be had. The Rock City Angels are in demand. Everytime a new "progressive rock club" or "original music club" opens up they want the Rock City Angels to play. Why so? Because the Rock City Angels can draw a crowd and that's what it takes to keep a club owner happy.

Although the Angels have become"glam" stars on the so called South Florida "underground circuit." they still have a long way to go in order to reach their ultimate goals. The band members feel, in their hearts, that they play the kind of rock n roll that people would really get into if exposed to it. The Rock City Angels play the type of music they grew up with - glam. The band's influences include Gary Glitter, The New York Dolls, The Rolling Stons, The Sex Pistols, The Dead Boys, The Bay City Rollers, The Monkees, Aerosmith and a variety of styles from Motown to metal to everything inbetween.

"We just play a straight rock n roll type of beat," claims bassist Andy Panic. "We're trying to bring rock n roll back."

"Instead of liking all kinds of music, alot of people only like a certain type of thing," states vocalist Bobby St. Valentine. "Let's face it, if you're a mature musician, you listen to all kinds of things. We don't want to be labeled "heavy metal." You're going to hear all kinds of influences in our music - heavy metal, Motown, punk, every kind of music there is. Funk. It's all there."

"Rock n roll never went away, its always been consistant," points out guitarist Jimmy James. "There have been other fads, like disco and heavy metal."

Bobby interjects, "Yeah, but its gotten to the point where rock n roll is underground."

"All that other stuff is popularized," explains Andy. "Pretty soon what will happen is people are going to go 'remember guitars?'"

"And drums. Real drums. Not synthensizers," adds Greg Sparks.

The Rock City Angels differentiate between stage costumes and music. The Angels believe that if you dress "glam" and sell yourself as "glam" then you should play the music that fits the image. "All these bands look like Aerosmith ten years ago," points out Steven Knight, "But they don't have the balls to go out there and play the same music. That's one thing we can say."

"Even Aerosmith, these kids don't know what Aerosmith is," says Andy.

"In California the big deal is that all the heavy metal bands go out and say, 'We're a glam band.' They all try to look like The New York Dolls or something. And you know what they sound like? They all sound like Ratt!!!! \" explains Jimmy.

"I get so mad," Bobby says. "They're taking our image. They're taking our whole look and everything like that. They're just giving us a bad name because they're not playing rock n roll. They're palying bullshit!"

"Its all connected to the look," agrees Andy.

"the New York Dolls could come out right now and people would call them a heavy metal band," claims Bobby. "And that's the truth! And anybody who thinks Aerosmith is a heavy metal band is stupid


"Anybody who knows about blues and rock n roll knows," states Andy.

"Even T. Rex," adds Bobby. "People would think they are a heavy metal..."

"yeah, they have long hair," agrees Steven.

"The Who could come out right now and people would call them punk," says Bobby. "Its true man."

Being in a band in South Florida is not always encouraging. The Angels have managed to stick it out over the years and still believe in what they are doing. The band has recorded an eleven song cassette which will be released shortly. "Alot of people have other Rock City Angel demos," says Bobby, "but this one is different. This one is definitely better than any we've done in the past. It's like the first time it's happened! The only reason we're putting this out is because me and Andy have been playing together for five years and this is it! We're sick of all the bullshit. This is kind of a last ditch effort. We're sick of sitting around. We want to get the attention of a label. Not a big label. Just a label that will get it distributed. Safety Net, Enigma...we don't care. We want to sign with anyone who will get our stuff out."

"Especially Enigma," says Jimmy. "I played the stuff out in California. People really loved it!"

"The funny thing is that people who don't know us, or never heard of us, hear us and like us, " explains Bobby. "We get alot of letters and stuff. People around here just don't understand."

"Yeah, people see us with long hair and they think we're heavy metal. They hear us and find out we don't play heavy metal and then they think we suck!" explains Jimmy.

"WE could play heavy metal," Bobby points out. "That's the thing. This band is so multi-talented. You listen to our tape and there's not one single kind of song on there. Not all the songs sound the same. There's alot of range. There's a range of musical styles."

The Rock City Angels have a number of originals which they play as well as a number of 70's style "glam" covers. The band does songs by all their favorite influences, but really rocks when they do their own songs. Included in their live set, as well as on their cassette, are songs like "Out of the Mouths of Babes," (an "All the Young Dudes" type anthem song), "Wild Tiger" (a straight ahead rockin "come on baby and f----me song), Rough and Tumble" and one song that sums up what The Rock City Angels are about - "Teenage Lipstick Boys."

"Every single song sounds real simple and everything," says Bobby. "But if you liten to the words, they're not. All our words deal with subjects like lonliness...but its not pessemistic."

The Rock City Angels asked that this interview be dedicated to Ricky Nelson. "The thing is they blame it all on drugs," Jimmy says. ""Well, f---- that man. He died! F--- the drugs! He's dead! Why nail him for that? He's dead already. Poor guy - he's got the music behind him."

"We knew him," says Andy.

The Angels want to thank everybody for their support! Their tape will be available in any record store that will carry it or by mailing. $6.95 to the Angels. "If the postage is less than 75 cents, we'll put a quarter in the envelope with an autographed picture of Andy," they promise.

Paul Davis


After finally finishing my book I decided it would be nice to let some of the people in it be the first to know about it.  More than a few years have gone by since my camera captured them live on stage.  A little research was certainly in order.  Looking for the whereabouts of Paul Davis I was sad to find out that he is no longer with us.  

"Paul Davis who played in Bonnie Hayes and The Wild Combo and The Yanks went into a coma after complications with his elbow caused by Carpal Tunnel and he was pronounced dead on Sunday Morning Nov 10, 2007" - Ginger Coyote - Punk Globe Magazine.



Use Once & Destroy

I met The Rock City Angels in South Florida during their "Glam" period. I used to publish a local music paper (Gold Coast Live!) and promote bands. RCA quickly became one of my favorite local bands. I decided to interview them and give them the cover at one point. The band was growing in popularity and seeking a record deal. Bobby Durango (known as "Bobby St. Valentine" at that point) decided he was tired of playing in front of the same basic audience all of the time. Bobby and the band decided to head for LA. Right before they left, they were "discovered" by Ann Boleyn of New Renaissance Records. Rumors were flying that she signed them and their demo would soon become an album.



Shortly after the band left I received a letter from guitarist Jimmy James saying the the band signed with New Renaissance. After that the band just seemed to have disappeared. Jimmy eventually landed back in South Florida and had a new band called Romeo Cowboy. As for the Angels, who knew.

Eventually word got out that RCA signed a deal with Geffen Records. We waited and waited. Finally an an album surfaced in Peaches (the local record store). The album was Young Man's Blues.


After the release of Young Man's Blues the Angels seemed to vanish again. The internet evolved and I eventually made contact with bassist Andy Panik. Andy filled me in on everything that happened since we left off in 1986 (I think it was 1986). Andy told me that the band recorded a new CD called "Use Once & Destroy" and encouraged me to contact Bobby Durango and try to help them get a deal. We launched a Rock City Angels website and did what we could to promote the band.

Bobby sent me a copy of the demo and I thought it was killer. The problem was it wasn't finished. It was raw and Bobby wanted to go back into the studio to "sweeten" it up. He wanted to re-mix, add some horns, and whatever else he heard in his head. A few other people who heard it said it was fine as it it was and started pushing to just release it. I sent it to a few labels hoping to find one who would pay to for the additional studio time and get it out there. Most of them liked it but the bottom line was "send it back after its finished and then we will talk." Time was flying by and it was becoming another "Chinese Democracy."

To make a long story short, I no longer had time to devote to this cause. I let rockcityangels.com expire (as well as a few other websites I ran - nothing personal, just time issues). About two or three months after the site expired Bobby wrote to me telling me it had expired and we needed it back as Use Once & Destroy was finished and soon to be released! Go figure! (and too late as some domain reseller had grabbed the name)!

I finally got around to getting a copy of Use Once & Destroy and listening to it. (I was content with the demo after all). Wow!!! I love this cd. I am so glad that Bobby stuck to his guns and held off on releasing it until it was the recording he meant it to be.

Ok, what does this have to do with photography? Well, when listening to the new cd in my car an analogy popped into my head. My camera (Pentax K10D) is set to underexpose slightly and not to sharpen anything. The original images look a little dull at first. I eventually work on them adjusting levels, curves, contrast, whatever and each image takes on a new life. This is the best way to describe the difference between the Use Once & Destroy demo and CD. The cd is like a photograph that has been tweaked in Photoshop. So when you read all these interviews with Bobby when he mentions that he was being pressured to release the demo as is, you can understand the difference in terms of photography.